Pendant light in white porcelain Saint-Germain

€110 €221 -50%
€110 €221 -50%

Saint Germain pendant light handmade in white Limoges porcelain with matt or enamelled finish.

Dimensions: hight 19,5 cm x diametre 14 cm

Light fixtures
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Finish
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Couleur du fil
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Complétez votre luminaire

€35
Medium wall peg with wall...
Medium holed wall peg
€38
Large wall peg with wall...
Large holed wall peg
€35
Ceiling rose in white...
straight rose-ceiling
€35
Round ceiling rose in white...
Round rose ceiling
€5
Addition of electrical cord...
Electrical cord
€7
Lightbulb E27
Lightbulb
€12
Lightbulb E27 with gold cap
Lightbulb
Material
Place of manufacture
Manufacture
worldwide shipping

This pendant light is inspired by the geometric and elegant lines of the Directoire period, where shapes were simplified and decorative patterns and crosses were brought up to date. The porcelain of our Saint-Germain lantern brings softness through its translucency and delicacy, which contrasts with the straightness of its lines.

Supplied with a 1,5 meter power cord. The power cord is also sold by the meter.

Compatible light bulb E14 - suggested power : 40W. Lightbulb sold separately in "Accessories".

Ceiling rose sold separately in "Accessories".

Each piece sold by Alix D. Reynis is marked with our chrome green stamp that guarantees it was entirely made in a manufacture in Limoges, France.

Product type :
Pendant light
Collections :
Saint Germain
Material :
Porcelain
Place of manufacture :
France
Made in :
Paris
Manufacture :
handmade
Diametre :
14
Measures :
19.5cm
Light bulb type :
E14
Recommended power :
40W
Electrical system :
furbish
Pendant light in white porcelain Saint-Germain

Pendant light in white porcelain Saint-Germain

Plus de details Coming soon

Pendant light in white porcelain Saint-Germain

€110 €221
Pendant light in white porcelain Saint-Germain
  • -50%
  • Coming soon
  • Archives
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The designer

Strong in her ambitions, creative and patient, the aesthete Alix D. Reynis became a model maker, a latent passion for a craft to which she had previously been introduced. This professional change came after the birth of her fourth child, like a realisation for the self-taught law student. Alix devoted herself to sculpture for five years and returned to the notary's office. Meanwhile, by chance, she found a job as a construction manager. The creator then oscillates between two careers, one of the heart and the other of the mind.

In 2011, she took the plunge and created her eponymous brand. A way of shaking up the professional landscape she had been given and embracing a career that made sense, the legitimate joy of working with her hands.

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